Square earrings in white gold with a Princess diamond, overall view

Collection Square·Orecchini

Square white gold earrings with a Princess-cut diamond and brilliant-cut diamond halo

One square inside another: the Princess at the center, fifty-two points of carat in all.

€2.370,00 O562b

Drawn and built by hand at the bench, in Tosi.

Two squares, one inside the other. At the center a Princess-cut diamond, square as well, held in a setting that takes it on its four sides; around it runs a frame of small brilliants, set one by one, repeating the same shape on a larger scale. Behind is the post: they are worn resting on the lobe, without hanging.

Four grams sixty of eighteen-carat white gold for the two earrings. The Princess at the center comes to twenty-five points of carat, the surround to twenty-seven: fifty-two in all, and more than half the weight is in the small stones.

The material

Weights and carats as the workshop declares them.

4,60 gramsWhite gold 18kt 750‰
0,25 carats Diamonds · at the center, one per earring
0,27 carats Diamonds · surround of the setting
Metals
White gold 18kt 750‰
Technique
Made by hand: the square setting for the Princess and the surround of brilliants set one by one.

The diamonds

Natural. Position, cut, carats, colour and clarity.

At the center, one per earring 0,25ct Princess Natural diamonds, total for the pair
Surround of the setting 0,27ct Brilliant Natural diamonds, total for the pair
The square bezel and the surround of brilliants seen from the front
Side view: the low thickness of the setting and the post behind
The earrings resting on a branch, the square turned on its point
Close-up of the frame of brilliants around the Princess diamond
One earring worn, resting on the lobe
The earrings next to the pendant from the same collection

How it is made

The words of the trade, one by one, explained to those who do not know them.

Princess cut
A square cut with the facets of a brilliant. It came about in the Seventies to waste less rough: an octahedron yields far more of it than a round does, where the corners end up as dust. The weak point is the corners, which are left sharp: that is where a knock chips the stone, and for that reason the setting takes it on the four sides.
Brilliant cut
Fifty-seven facets calculated so that the light entering from above comes back out on the same side. It is the cut that makes a diamond sparkle, and the reason a badly cut diamond stays dull.

I don't look at what others are doing: I would rather create in my own style. That is what makes our jewelry recognizable.

Fabio Gori — Anna Gioielli, Tosi

Made for you

Every piece leaves the bench made to order: sizes and details are agreed before the work begins.

The goldsmith's workshop is also the place where made-to-measure jewellery is created and family pieces are restored: if you have an idea, or something you want brought back to how it was, that is where it starts.

Ask for a made-to-measure piece
Made by
Anna Gioielli

A goldsmith's workshop in Tosi, on the slopes of the Pratomagno: Anna opened it in 1988, her sons Fabio and Francesco carry it on. Piercing, repoussé, chasing and burin engraving — the Florentine school, with the workshop in full view of the shop.