Coral
Central, in the removable setting
- Cut
- Oval cabochon
- Note
- Natural
Collection Marte·Anello
The gold setting with the coral comes away: the seven gray diamonds stay on the silver.
Drawn and built by hand at the bench, in Tosi.
At the center a natural coral, oval cabochon, polished until the growth veining shows: the color runs from salmon to dark orange and changes according to how the hand is turned. It is held by a yellow gold setting with an irregular rim, the claws bent like small twigs. All the rest is oxidized silver, pierced with round and oval holes of different sizes that go right through: from behind you see the red of the coral through the metal. Around the setting, seven gray diamonds in small gold seats.
Fifteen grams and sixty-five of silver, six and seventy of eighteen-carat gold: the silver weighs more than twice as much, but it is the gold that sits where you look. The coral, two grams. The seven diamonds come to thirty hundredths of a carat in all, and their gray is what holds the piece together: white ones would pull the light away from the coral, gray ones stay on the side of the silver. The setting comes away: it is the part of the ring that can be changed.
Weights and carats as the workshop declares them.
Central, in the removable setting
Natural. Position, cut, carats, colour and clarity.
The words of the trade, one by one, explained to those who do not know them.
I don't look at what others are doing: I would rather create in my own style. That is what makes our jewelry recognizable.
Fabio Gori — Anna Gioielli, Tosi
Every ring is made in the size of the person who will wear it: we settle it together before the work begins.
The goldsmith's workshop is also the place where made-to-measure jewellery is created and family pieces are restored: if you have an idea, or something you want brought back to how it was, that is where it starts.
A goldsmith's workshop in Tosi, on the slopes of the Pratomagno: Anna opened it in 1988, her sons Fabio and Francesco carry it on. Piercing, repoussé, chasing and burin engraving — the Florentine school, with the workshop in full view of the shop.
Due modi di cercare quello che somiglia a questo.