The three brilliants in a row, separated by the four vertical crossbars, in three-quarter view

Collection Traversine·Anello

Trilogy ring Traversine in white gold with three identical brilliant-cut diamonds

Three brilliants of the same size, forty-eight points in all, between four crossbars.

€2.800,00 A887b16

Drawn and built by hand at the bench, in Tosi.

Three brilliants in a row at the center, all of the same size, and between them four white gold crossbars set vertically: two small brilliants are set on each. The large stones have no claws around them: they are set between two crossbars, and it is the crossbar that holds them in their seat and fixes the spacing.

Five grams twenty of eighteen-carat white gold. The three large brilliants come to forty-eight points of carat, the eight small ones on the crossbars another six: fifty-four points in all, color F and clarity VS1. In the catalog it is the middle model of the trilogy, and forty-eight points divided by three give three stones you count one by one instead of a single point of light.

The material

Weights and carats as the workshop declares them.

5,20 gramsWhite gold 18kt 750‰
0,48 carats Diamonds · three large, in a row
0,06 carats Diamonds · eight small, on the crossbars
Metals
White gold 18kt 750‰
Technique
Made entirely by hand.

The diamonds

Natural. Position, cut, carats, colour and clarity.

Three large, in a row 0,48ct Brilliant F VS1Natural diamonds, total
Eight small, on the crossbars 0,06ct Brilliant F VS1Natural diamonds, two per crossbar
The square-section shank and the hallmark stamped inside the band
The ring laid flat: the full circle of the band and the row of stones on the front
Side view: the crossbars rise above the shank and hold the stones set between them
The ring on the finger seen from above: the row of stones takes up the width of the finger
The ring on the finger in three-quarter view: how far the bezel rises from the hand

How it is made

The words of the trade, one by one, explained to those who do not know them.

Brilliant cut
Fifty-seven facets calculated so that the light entering from above comes back out on the same side. It is the cut that makes a diamond sparkle, and the reason a badly cut diamond stays dull.

I don't look at what others are doing: I would rather create in my own style. That is what makes our jewelry recognizable.

Fabio Gori — Anna Gioielli, Tosi

Made for you

Every ring is made to the size of the person who will wear it: we settle it together before the work begins.

The goldsmith's workshop is also the place where made-to-measure jewellery is created and family pieces are restored: if you have an idea, or something you want brought back to how it was, that is where it starts.

Ask for a made-to-measure piece
Made by
Anna Gioielli

A goldsmith's workshop in Tosi, on the slopes of the Pratomagno: Anna opened it in 1988, her sons Fabio and Francesco carry it on. Piercing, repoussé, chasing and burin engraving — the Florentine school, with the workshop in full view of the shop.

All the creations by Anna Gioielli

Della stessa famiglia

Due modi di cercare quello che somiglia a questo.

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All the creations Anna Gioielli