Onyx
At the center, between the ball-tipped claws
- Cut
- Heart-shaped, flat table
- Note
- Natural stone, black
Collection Marte·Anello
Nine grams and ten of silver hollowed into craters, and at the center a black onyx heart.
Drawn and built by hand at the bench, in Tosi.
At the center there is a black onyx, cut to a heart and polished to a flat table, with the edge beveled all the way round: the light does not go into it, it stays on the surface, and the black reads from a distance. It is held by ball-tipped silver claws, bent over the two lobes and over the point. The rest is a wide band rising towards the stone, and it is not smooth: it is hollowed and pierced with round craters of different sizes, dark in the recesses and re-polished on the rims. The holes go right through, and from inside the ring you can see the light through the metal. It is the pattern of the collection named after Marte, and here it runs all the way round the finger, not only across the top.
Nine grams and ten of silver at nine hundred and twenty-five thousandths: for a ring that is a lot, and almost all of it is in the band, which stays thick even where the craters cross it. It is that thickness that holds the holes without the circle giving way under the hand. The craters are not stamped: they are taken out of the metal one by one, and every void opened is material that does not come back. The onyx is a natural stone. The presentation box is included, and on request the same model is made in gold.
Weights and carats as the workshop declares them.
At the center, between the ball-tipped claws
The words of the trade, one by one, explained to those who do not know them.
I don't look at what others are doing: I would rather create in my own style. That is what makes our jewelry recognizable.
Fabio Gori — Anna Gioielli, Tosi
Every ring is made in the size of the person who will wear it: we work it out together before the piece is made. The same design can be made in gold.
The goldsmith's workshop is also the place where made-to-measure jewellery is created and family pieces are restored: if you have an idea, or something you want brought back to how it was, that is where it starts.
A goldsmith's workshop in Tosi, on the slopes of the Pratomagno: Anna opened it in 1988, her sons Fabio and Francesco carry it on. Piercing, repoussé, chasing and burin engraving — the Florentine school, with the workshop in full view of the shop.
Due modi di cercare quello che somiglia a questo.