Collection Marte·Anello
Marte wedding ring in sterling silver with a wide 14.90 mm band, pierced through and through
Fourteen millimeters ninety of band pierced right through: from inside you can see the light.
Drawn and built by hand at the bench, in Tosi.
It is a single band, the same height all the way round, and it has no front: whichever point you wear over the finger, the pattern is the same. The surface is not smooth and it is not engraved: it is pierced. The holes are round and oval, of different diameters, and they go right through, so the ring is a pierced wall and from inside you see the light coming in from outside. Between one hole and the next a ridge of metal is left, and the ridges widen where they happen to and touch one another with no step that repeats. The recesses stay black, the ridges are polished back: the pattern comes forward by contrast even before it does by relief. The two edges are not cut straight either — they follow the voids and undulate.
Fourteen millimeters ninety high: on the finger it covers almost the whole knuckle, and it is this measurement that separates it from the other silver Marte pieces, which are the same idea in different sizes. Thirteen grams seventy of silver at nine hundred and twenty-five thousandths, and not one of those grams is hidden: they are all in the wall, which is the only thing holding the circle. On a band pierced right through, the metal left is drawing and structure at once, and where a hole widens too far the solid part beside it becomes the weak point of the whole ring. The company gives it as a man's ring. The presentation box is included, and on request the same model can be made in gold.
The material
Weights and carats as the workshop declares them.
- Metals
- Silver 925‰
- Finish
- Oxidized in the recesses, polished on the raised work
- Dimensions
- Band height 14,90 mm
- Technique
- Made by hand in the company's goldsmith's studio. On request the same model can be made in gold.
How it is made
The words of the trade, one by one, explained to those who do not know them.
- Irregular voids
- In geometric piercing the error is measured against the module that repeats; here there is no module, and every void has to be decided as it is opened. The risk shifts: not that a link comes out crooked, but that at some point the solid part is left too thin, and the piece gives way exactly there. Whoever does it holds together two things that pull in opposite directions, an outline that has to look random and a thickness that has to hold.
- Oxidizing
- The silver is darkened on purpose, and then polished back only where the light has to return. The black stays in the voids and the recesses, the light on the raised work: it is a drawing made by subtraction, and whoever does it decides where to stop the cloth.
I don't look at what others are doing: I would rather create in my own style. That is what makes our jewelry recognizable.
Fabio Gori — Anna Gioielli, Tosi
Made for you
Every ring is made to the size of the person who will wear it: we settle it together before work begins. The same design can be made in gold.
The goldsmith's workshop is also the place where made-to-measure jewellery is created and family pieces are restored: if you have an idea, or something you want brought back to how it was, that is where it starts.
A goldsmith's workshop in Tosi, on the slopes of the Pratomagno: Anna opened it in 1988, her sons Fabio and Francesco carry it on. Piercing, repoussé, chasing and burin engraving — the Florentine school, with the workshop in full view of the shop.
Della stessa famiglia
Due modi di cercare quello che somiglia a questo.










