The ring in three-quarter view on white stones: the gold bezel shifted towards one edge of the openwork silver band

Collection Rinascimento·Anello·Florentine work, scrolling piercing with an off-center setting

Asymmetric Rinascimento ring with cushion-cut amethyst, off-center gold bezel on filigree silver

The gold setting, two and a half grams, does not sit at the center of the band: it is shifted to one edge, and the piercing stays entirely on one side of it.

€1.490,00 A844Fam

Drawn and built by hand at the bench, in Tosi.

The band is wide, in silver, and pierced right through: acanthus scrolls coiling one over another, cut open and then engraved with the burin vein by vein, with a beaded wire closing the two rims. Above it sits a yellow gold setting with a tall satin wall and a polished top edge, and inside a cushion amethyst with rounded corners. The setting is not at the center: it is shifted almost against one of the two rims of the band, and all the piercing that remains stays on the other side. It is also mounted askew, with its sides not following the rims, and one corner running down into the leaves. Inside, the silver goes back to smooth, because that is the part that sits on the finger.

The eighteen-carat gold weighs two grams and fifty and is all in the setting: it makes no structure, it makes the seat of the stone. Everything else — the band, the piercing, the leaves and the two beaded wires of the rims — is silver at nine hundred and twenty-five thousandths and weighs eleven grams, four and a half times the gold. There are no diamonds: the light comes from the purple of the stone and from the voids of the piercing, which hold the shadow behind the engraved veining. What is missing is the center. In a ring where everything else is repeated and regular, the off-center stone is the one thing that does not line up, and it is seen before the leaves.

The material

Weights and carats as the workshop declares them.

11,00 gramsSilver 925‰
2,50 gramsYellow gold 18kt 750‰
Metals
Silver 925‰ and yellow gold 18kt 750‰
Style
Florentine work, scrolling piercing with an off-center setting
Technique
Made entirely by hand: the silver band pierced and engraved with the burin, the yellow gold setting folded from sheet and mounted off-center, the amethyst closed by pushing the edge of the gold cold over the stone.

The stones

Amethyst

Single, in the gold setting mounted off-center on the band

Cut
Cushion
Note
Natural
Close-up in three-quarter view: on one side of the bezel a wide field of openwork scrolls remains, on the other almost none
The ring standing, almost from the front: the height of the openwork dome and the stone off the axis of the finger
The piece from above: the cushion-cut amethyst and the acanthus scrolls cut open around the bezel
View from further above: how much openwork band is left free on one side alone can be measured
Studio shot on a light background: the bezel set askew, its sides not following the edges of the band
From above in the studio: the satin-finished wall of the bezel, the polished rim on top and the smooth inside of the ring
Close-up: the leaves in burin engraving cut short where the gold of the bezel rests on the openwork

How it is made

The words of the trade, one by one, explained to those who do not know them.

Openwork
The metal is drilled and then cut out from the inside with a very fine saw, until the solid sheet becomes a design of voids. It is a process that allows no second attempt: what is taken away does not come back.
Burin engraving
The burin is a small goldsmith's chisel pushed by hand. It does not scratch: it lifts a shaving of metal and leaves a clean groove that catches the light. It is the mark that for five centuries has set the Florentine goldsmiths' school apart.
Off-center setting
A setting shifted to one side is not a centered setting badly placed: the seat has to be opened where the piercing is already cut, and the leaves that fall beneath it have to be cut short so that the gold rests on solid metal and not on a void. The weight of the stone then falls off the axis of the finger, and the band has to be left fuller under the loaded side: if it stays the same on both sides the ring turns by itself and the stone ends up askew.
Gold and silver on the same piece
Silver melts at a lower temperature than gold and oxidizes quickly under the flame. Mounting the two metals on the same piece means heating just enough for the solder to take without sinking the silver, and cleaning the joint before the black of the flame gets closed in under the gold.
Amethyst
Amethyst is purple quartz, and the purple does not come from a pigment: it comes from a few iron atoms that ended up in the lattice in place of silicon and were then struck by the natural radiation of the rock. That is why the color is almost never laid on evenly — it arranges itself in zones and bands, heavier on one side and paler on the other — and orienting the stone properly under the wheel is exactly what spreads it. It is as hard as citrine, the seventh degree, and can be worn every day without worrying about scratches; but that purple is the most delicate thing it has. Strong continuous light fades it, and heat erases it altogether: an amethyst heated enough turns yellow, and that is how much of the citrine on the market is born. Purple once lost does not come back.

I don't look at what others are doing: I would rather create in my own style. That is what makes our jewelry recognizable.

Fabio Gori — Anna Gioielli, Tosi

Made for you

Every ring is made in the size of the person who will wear it: we settle it together before the work begins.

The goldsmith's workshop is also the place where made-to-measure jewellery is created and family pieces are restored: if you have an idea, or something you want brought back to how it was, that is where it starts.

Ask for a made-to-measure piece
Made by
Anna Gioielli

A goldsmith's workshop in Tosi, on the slopes of the Pratomagno: Anna opened it in 1988, her sons Fabio and Francesco carry it on. Piercing, repoussé, chasing and burin engraving — the Florentine school, with the workshop in full view of the shop.