Amethyst
Single, in the gold setting mounted off-center on the band
- Cut
- Cushion
- Note
- Natural
Collection Rinascimento·Anello·Florentine work, scrolling piercing with an off-center setting
The gold setting, two and a half grams, does not sit at the center of the band: it is shifted to one edge, and the piercing stays entirely on one side of it.
Drawn and built by hand at the bench, in Tosi.
The band is wide, in silver, and pierced right through: acanthus scrolls coiling one over another, cut open and then engraved with the burin vein by vein, with a beaded wire closing the two rims. Above it sits a yellow gold setting with a tall satin wall and a polished top edge, and inside a cushion amethyst with rounded corners. The setting is not at the center: it is shifted almost against one of the two rims of the band, and all the piercing that remains stays on the other side. It is also mounted askew, with its sides not following the rims, and one corner running down into the leaves. Inside, the silver goes back to smooth, because that is the part that sits on the finger.
The eighteen-carat gold weighs two grams and fifty and is all in the setting: it makes no structure, it makes the seat of the stone. Everything else — the band, the piercing, the leaves and the two beaded wires of the rims — is silver at nine hundred and twenty-five thousandths and weighs eleven grams, four and a half times the gold. There are no diamonds: the light comes from the purple of the stone and from the voids of the piercing, which hold the shadow behind the engraved veining. What is missing is the center. In a ring where everything else is repeated and regular, the off-center stone is the one thing that does not line up, and it is seen before the leaves.
Weights and carats as the workshop declares them.
Single, in the gold setting mounted off-center on the band
The words of the trade, one by one, explained to those who do not know them.
I don't look at what others are doing: I would rather create in my own style. That is what makes our jewelry recognizable.
Fabio Gori — Anna Gioielli, Tosi
Every ring is made in the size of the person who will wear it: we settle it together before the work begins.
The goldsmith's workshop is also the place where made-to-measure jewellery is created and family pieces are restored: if you have an idea, or something you want brought back to how it was, that is where it starts.
A goldsmith's workshop in Tosi, on the slopes of the Pratomagno: Anna opened it in 1988, her sons Fabio and Francesco carry it on. Piercing, repoussé, chasing and burin engraving — the Florentine school, with the workshop in full view of the shop.
Due modi di cercare quello che somiglia a questo.