The pendant on the chain on a white background, overall view

Collection Prestige·Pendente·Florentine style

Prestige pendant in white and yellow gold, openwork cushion with integrated chain

Two yellow gold tubes at the top corners: the chain runs through them.

€2.810,00 P541Fb

Drawn and built by hand at the bench, in Tosi.

A square cushion, swollen on both faces and pierced in a regular mesh. Over the mesh run four raised ribs going from the corners to the center, and at the center a diamond sits in a closed round setting. The chain does not hook to a small ring above the pendant: it passes through two yellow gold tubes soldered at the top corners, one on each side.

Five grams of eighteen-carat gold. At the center a natural brilliant-cut diamond of twenty-one points; on the ribs and the mesh, further diamonds for thirty-three points. Behind, the cushion is open and the hallmark is visible: here the piercing is not an ornament on the face, it is the structure that holds up all the rest.

The material

Weights and carats as the workshop declares them.

5,00 gramsWhite and yellow gold 18kt 750‰
0,21 carats Diamonds · center
0,33 carats Diamonds · sides
Metals
White and yellow gold 18kt 750‰
Style
Florentine style
Technique
Worked by hand, with piercing and burin engraving.

The diamonds

Natural. Position, cut, carats, colour and clarity.

Center 0,21ct Brilliant Natural diamond
Sides 0,33ct Brilliant Natural diamonds
On white silk, the chain laid out
Hanging from a shard of marble, from the front
Resting between two stones, the cushion from the front
The chain gathered next to the pendant
On the marble with the chain pulled taut, the link of the chain in close-up
Lying flat: the domed profile of the cushion and the pierced sides
The back: the square opening and the hallmark inside
Resting against the stone, the chain rising to one side
On a brown background, the chain pulled taut between two points
On silk, close up from the front
Lying on the marble: the two yellow gold tubes seen in profile
On the wood, with the chain hanging free
Close-up: the central diamond in the round bezel and the yellow gold tubes
In three-quarter view: the depth of the cushion and the mesh on the sides
The Prestige pieces with the same workmanship together: the bracelet and the earrings are not included in the price

How it is made

The words of the trade, one by one, explained to those who do not know them.

Openwork
The metal is drilled and then cut from the inside with a very fine piercing saw, until the solid sheet becomes a design of voids. It is a technique that allows no second attempt: what is taken away does not come back.
Mesh work
The piercing does not make a single hole: it makes a regular mesh of them, and every mesh has to carry the weight of the others. Getting one cut wrong means weakening the whole net.
Burin engraving
The burin is a goldsmith's graver pushed by hand. It does not scratch: it lifts a chip of metal and leaves a clean groove that catches the light. It is the mark that for five centuries has distinguished the Florentine goldsmith's school.
Two golds on the same piece
White and yellow have different hardnesses and soldering temperatures: mounting them together means working two metals that do not react the same way under the flame, and making them meet without the joint showing.
Chain running through
The chain does not hook to a small ring above the pendant: it goes through two tubes soldered at the top corners, and the pendant runs along it. The two tubes have to be on the same axis and have the same internal passage, so that the link runs without forcing; if one is left out of square the pendant sits crooked on the neck, and afterwards it cannot be straightened, because the solder is already inside the piercing.
Brilliant cut
Fifty-seven facets calculated so that the light entering from above comes back from the same side. It is the cut that makes a diamond sparkle, and the reason a badly cut diamond stays dull.

I don't look at what others are doing: I would rather create in my own style. That is what makes our jewelry recognizable.

Fabio Gori — Anna Gioielli, Tosi

Made for you

Every piece leaves the bench made to order: sizes and details are agreed before the work begins.

The goldsmith's workshop is also the place where made-to-measure jewellery is created and family pieces are restored: if you have an idea, or something you want brought back to how it was, that is where it starts.

Ask for a made-to-measure piece
Made by
Anna Gioielli

A goldsmith's workshop in Tosi, on the slopes of the Pratomagno: Anna opened it in 1988, her sons Fabio and Francesco carry it on. Piercing, repoussé, chasing and burin engraving — the Florentine school, with the workshop in full view of the shop.