The whole necklace, resting against a wooden branch: the strand runs down and the clasp stays at the top

Collection Creazioni in Argento·Collana

Single strand Tahitian gray pearl necklace with a two-leaf silver clasp

Fifty-one centimeters of Tahitian pearls, and between one pearl and the next a silver flower.

€850,00 C677p

Drawn and built by hand at the bench, in Tosi.

A single strand of Tahitian pearls, gray so dark that at first glance they look black; turned in the light the gray opens onto green and aubergine, and no one of them is exactly the color of the one beside it. They are round and run one after another, and between each pair sits a silver flower with short petals, which keeps them apart and stops them knocking together. The clasp does not hide behind the nape: it is a hook made of two silver leaves, veined in relief, that take hold of one another and are worn on show, at the side. Each of the two leaves closes like a calyx around the end pearl of the strand.

Fifty-one centimeters in all, and the pearls measure between ten and eleven millimeters across: they are chosen one at a time and set in line, which is why the size is given as a range and not as a single number. Twelve grams seventy of 925 silver, counting the spacers and the clasp. The gray is not a treatment: the nacre comes out of the Tahitian oyster like that, the black-lipped Pinctada margaritifera. And it is the soft part of the piece — it sits around the third degree of hardness, it scratches with a fingernail and it dissolves in acids — so the necklace goes on last, after the perfume, and is put away dry. The thread that carries the pearls is the part that ages first: it should be restrung before it gives, not after.

The material

Weights and carats as the workshop declares them.

12,70 gramsSilver 925‰
Metals
Silver 925‰
Dimensions
Overall length 51 cm
Technique
Made entirely by hand in the company's goldsmith's studio. The pearls are threaded by hand one at a time onto a strong cord, with a silver spacer between each; the clasp is a hook of two silver leaves worn on show, and each leaf closes around the end pearl.

The stones

Tahitian pearl

The whole strand, one pearl after another

Cut
Round
Note
Gray pearls, diameter 10/11 mm
The necklace on the bust: the leaf clasp is worn in view, to one side
The pearls close up: the dark grey turns to green and aubergine, and between one and the next the silver flower
The hook open: the two silver leaves before they catch one another
The clasp in profile: each leaf closes like a cup over the end pearl
The raised veins on the two leaves, and the dark thread that runs between the pearls
Close-up of the strand: the flower spacers separate one pearl from the next

How it is made

The words of the trade, one by one, explained to those who do not know them.

Tahitian pearl
The pearl is the only gem produced by a living animal. It is not a crystal grown in rock: it is nacre, which the oyster lays down in very thin layers around a nucleus, one on top of another for years, and the light you see on the surface is the sum of those layers. The gray of Tahitians is theirs by birth: it comes from Pinctada margaritifera, the black-lipped oyster, and it is not a dye. But nacre is soft: it scratches with a fingernail, and perfume, hairspray, vinegar and sweat corrode the surface until the sheen goes out. It is put away dry, and never shut in a bag where no air passes.
Pearl
The pearl is the only gem produced by a living animal, and it is not a mineral like the others: it is aragonite — calcium carbonate — held together by conchiolin, an organic substance the mollusc lays down between one layer and the next. That organic part is its weak point. On the hardness scale a pearl sits around three: it scratches with a fingernail, and the metal of another piece of jewelry marks it at the first contact. But the scratch is not the worst damage: being a carbonate it dissolves in acids, and sweat, perfume, hairspray and vinegar corrode the surface until the sheen goes out. It goes on last, after the perfume, and comes off first; it is cleaned with a barely damp cloth and put away dry, never shut in a bag where no air passes. And the thread or cord that holds it is watched too: it is the part that ages first, and it should be replaced before it gives, not after.
Hand stringing
The stones are threaded one at a time, and the thread that holds them has to carry the weight of them all. The holes never fall exactly at the center of the bead: whoever strings decides which side to enter from, because a bead turned the wrong way makes a step and the thread hangs crooked. The last operation is the knot, and it has to be closed with the thread already under tension: a little slack and the necklace bellies, a little tight and it stops falling.
Composing the strand
The pearls of a strand do not come out of the oyster alike: they change by a tenth of a millimeter at a time, and they change in sheen. Composing a strand means first discarding — keeping only the ones that belong together in color and luster — and then setting them in the right order, the largest at the center and the smallest towards the ends, because with the naked eye a step in size shows before a difference in color. It is work done once only: changing the order afterwards means undoing the whole strand and starting again.

I don't look at what others are doing: I would rather create in my own style. That is what makes our jewelry recognizable.

Fabio Gori — Anna Gioielli, Tosi

Made for you

Every piece leaves the bench made to order: sizes and details are agreed before the work begins.

The goldsmith's workshop is also the place where made-to-measure jewellery is created and family pieces are restored: if you have an idea, or something you want brought back to how it was, that is where it starts.

Ask for a made-to-measure piece
Made by
Anna Gioielli

A goldsmith's workshop in Tosi, on the slopes of the Pratomagno: Anna opened it in 1988, her sons Fabio and Francesco carry it on. Piercing, repoussé, chasing and burin engraving — the Florentine school, with the workshop in full view of the shop.