Three-quarter view on marble: the oval aquamarine in the yellow gold bezel, the engraved leaves and the ribbon of diamonds

Collection Gioielli Unici·Anello

Gold ring with Aquamarine and natural diamonds, engraved leaves

Eight carats and ninety of aquamarine, on hand-pierced leaves.

€7.125,00 A708Fab

Drawn and built by hand at the bench, in Tosi.

The leaves are cut out of the white gold with piercing and engraved with a burin, and they close around a natural aquamarine of eight carats ninety.

The natural brilliant-cut diamonds come to twenty-seven points of a carat in all. The ring comes with the certificate attesting its specifications.

The material

Weights and carats as the workshop declares them.

12,30 gramsWhite gold 18kt 750‰
8,90 carats Aquamarine
0,27 carats Diamonds · among the leaves
Metals
White gold 18kt 750‰
Technique
Made by hand. Leaves in white gold with piercing and burin engraving.

The stones

Aquamarine

Center

Carats
ct 8,90
Note
Natural

The diamonds

Natural. Position, cut, carats, colour and clarity.

Among the leaves 0,27ct Brilliant Natural diamonds

Certificate Certificate of specifications · gift box

Side view on marble: the leaves fan out below the stone
Close-up from above: the table of the aquamarine and the row of diamonds following the edge of the leaves
Front three-quarter view on light stone: the relation between the volume of the bezel and the thin band
Tilted view from above: the profile of the bezel and the burin-engraved veins on the leaves
The ring resting on a dry branch, three-quarter view: the yellow gold against the dark bark
From above on the branch: the whole crown of leaves around the stone
Low side view on the branch: the point where the leaves join the band
View from behind on the branch: the back of the openwork bezel and the inside of the white gold band
The ring on the finger, close shot from above: how much of the hand it takes up
The ring on the finger seen from the side: the height at which the bezel stands off the hand
Overall shot of the parure on silk: pendant, ring and earrings with the same aquamarine and the same engraved leaves. The price on this page covers the ring only, the other pieces are not included

How it is made

The words of the trade, one by one, explained to those who do not know them.

Openwork
The metal is drilled and then cut from the inside with a very fine piercing saw, until the solid sheet becomes a design of voids. It is a technique that allows no second attempt: what is taken away does not come back.
Burin engraving
The burin is a goldsmith's graver pushed by hand. It does not scratch: it lifts a chip of metal and leaves a clean groove that catches the light. It is the mark that for five centuries has distinguished the Florentine goldsmith's school.
Brilliant cut
Fifty-seven facets calculated so that the light entering from above comes back from the same side. It is the cut that makes a diamond sparkle, and the reason a badly cut diamond stays dull.

I don't look at what others are doing: I would rather create in my own style. That is what makes our jewelry recognizable.

Fabio Gori — Anna Gioielli, Tosi

Made for you

Every ring is made to the size of the person who will wear it: we settle it together before work begins.

The goldsmith's workshop is also the place where made-to-measure jewellery is created and family pieces are restored: if you have an idea, or something you want brought back to how it was, that is where it starts.

Ask for a made-to-measure piece
Made by
Anna Gioielli

A goldsmith's workshop in Tosi, on the slopes of the Pratomagno: Anna opened it in 1988, her sons Fabio and Francesco carry it on. Piercing, repoussé, chasing and burin engraving — the Florentine school, with the workshop in full view of the shop.