White gold clip earrings with aquamarine, overall view

Collection Gioielli Unici·Orecchini

Gold earrings with Aquamarine and natural diamonds, engraved leaves

Natural aquamarine, eighteen carats and thirty-five.

€9.720,00 O351Fab

Drawn and built by hand at the bench, in Tosi.

Clip-on earrings. The leaves are cut from white gold by piercing and then engraved with the burin one at a time, and they carry two natural aquamarines that together come to eighteen carats and thirty-five.

The natural brilliant-cut diamonds come to sixteen hundredths of a carat in all: they are not the subject, they are there to keep the light on the edges. The piece comes with the certificate attesting its characteristics.

The material

Weights and carats as the workshop declares them.

15,00 gramsWhite gold 18kt 750‰
18,35 carats Aquamarine
0,16 carats Diamonds · among the leaves
Metals
White gold 18kt 750‰
Dimensions
Height 32 mm
Clasp
Clip-on
Technique
Made by hand. Leaves in white gold with piercing and burin engraving.

The stones

Aquamarine

Central

Carats
ct 18,35
Note
Natural · total of the two stones

The diamonds

Natural. Position, cut, carats, colour and clarity.

Among the leaves 0,16ct Brilliant Natural diamonds

Certificate Certificate of characteristics · gift box

The openwork leaves holding the stone
Close-up of the natural aquamarine
The burin engraving on the leaves, in macro
The natural brilliant-cut diamonds between the leaves
Side view of one earring
The clip fastening seen from behind
The two earrings side by side
Transparency of the stone against the light
The earrings worn
The volume of the white gold leaves
The earrings on a neutral background, last view

How it is made

The words of the trade, one by one, explained to those who do not know them.

Openwork
The metal is drilled and then cut out from the inside with a very fine saw, until the solid sheet becomes a design of voids. It is a process that allows no second attempt: what is taken away does not come back.
Burin engraving
The burin is a small goldsmith's chisel pushed by hand. It does not scratch: it lifts a shaving of metal and leaves a clean groove that catches the light. It is the mark that for five centuries has set the Florentine goldsmiths' school apart.
Brilliant cut
Fifty-seven facets calculated so that light entering from above comes back out the same side. It is the cut that makes a diamond sparkle, and the reason a badly cut diamond stays dull.

I don't look at what others are doing: I would rather create in my own style. That is what makes our jewelry recognizable.

Fabio Gori — Anna Gioielli, Tosi

Made for you

Every piece leaves the bench made to order: sizes and details are agreed before the work begins.

The goldsmith's workshop is also the place where made-to-measure jewellery is created and family pieces are restored: if you have an idea, or something you want brought back to how it was, that is where it starts.

Ask for a made-to-measure piece
Made by
Anna Gioielli

A goldsmith's workshop in Tosi, on the slopes of the Pratomagno: Anna opened it in 1988, her sons Fabio and Francesco carry it on. Piercing, repoussé, chasing and burin engraving — the Florentine school, with the workshop in full view of the shop.