The two flower earrings seen from the front, with the round amethyst at the centre of each corolla

Collection Creazioni in Argento·Orecchini

Silver flower earrings with amethysts

Ten millimeters of corolla cast by lost wax: every flower consumes its own model, and the second has to be made again from scratch.

€90,00 OL6301am

Drawn and built by hand at the bench, in Tosi.

Two silver flowers, and at the center of each a round amethyst held by four claws with rounded heads. The petals are not smooth: they carry the veins the wax model already had, pale and matt on the inside, while the rim that lifts is polished to a mirror. The two corollas do not lie one over the other — one opens its petals wider, the other keeps them more gathered — because in lost-wax casting every piece consumes its own model, and the second flower has to be made again from scratch. Behind there is the post, and the butterfly that holds it.

Two grams sixty of 925‰ silver, ten millimeters wide. It is little metal, and that is exactly why the casting is the hard part: if the silver does not reach the end of a petal the flower comes out maimed, and there is no fixing it — you melt it down and start again from the wax. The purple of the amethyst is the other part to treat with care: quartz does not fear scratches, but heat and a strong, continuous light take its color away, and that color does not come back.

The material

Weights and carats as the workshop declares them.

2,60 gramsSilver 925‰
Metals
Silver 925‰
Dimensions
Width 10 mm
Technique
Cast by lost wax and finished by hand: the veins of the petals left matt and the edges polished back, the stone set on four claws, the post and butterfly fitted at the back.

The stones

Amethyst

At the center of the corolla, one per earring

Cut
Round faceted
Note
Stated by the company to be a natural stone; the carat weight is not stated
The two flowers in three-quarter view on a chip of marble: the veins of the petals and the repolished edges can be read
Side view: the post that goes through the lobe and the butterfly back that holds it behind

How it is made

The words of the trade, one by one, explained to those who do not know them.

Lost-wax casting
The model is built in wax, coated in refractory plaster and then heated until the wax runs out: a void of the exact shape is left, and molten silver is poured into that void. To get the piece out the mold has to be broken, so every casting consumes both the wax and the mold, and the model you started from no longer exists. It is the way to obtain what the saw and the file could not — ribbons crossing over one another, undercuts, voids closed on every side — but if the metal does not reach the end of a thin branch the piece comes out maimed, and there is no fixing it: you melt it down and start again from the wax.
Amethyst
Amethyst is purple quartz, and the purple does not come from a pigment: it comes from a few atoms of iron that ended up in the lattice in place of silicon and were then struck by the natural radiation of the rock. That is why the color is almost never laid on evenly — it arranges itself in zones and bands, deeper on one side and paler on the other — and orienting the stone properly on the lap is exactly what spreads it out. It is as hard as citrine, seventh degree, and it is worn every day with no care against scratches; but that purple is the most delicate thing it has. A strong, continuous light fades it, and heat wipes it out altogether: an amethyst heated enough turns yellow, and that is how a good part of the citrine on the market is born. Purple once lost does not come back.
Post and butterfly fastening
The post passes through the lobe and a butterfly holds it at the back, two metal wings that grip the stem by themselves. It is the simplest fastening there is, and precisely for that reason it has to be done well: the post has to be soldered perpendicular to the body of the earring, because if it starts even slightly crooked the piece hangs askew on the lobe and there is no straightening it by wearing it. The butterfly, on the other hand, is the part that gets lost: it holds by friction, and friction drops off over the years until one day it no longer holds. You check it by pinching it lightly between two fingers, and when it has stopped offering resistance you change it — it costs little, and it costs a great deal less than the earring.

I don't look at what others are doing: I would rather create in my own style. That is what makes our jewelry recognizable.

Fabio Gori — Anna Gioielli, Tosi

Made for you

Every piece leaves the bench made to order: sizes and details are agreed before the work begins.

The goldsmith's workshop is also the place where made-to-measure jewellery is created and family pieces are restored: if you have an idea, or something you want brought back to how it was, that is where it starts.

Ask for a made-to-measure piece
Made by
Anna Gioielli

A goldsmith's workshop in Tosi, on the slopes of the Pratomagno: Anna opened it in 1988, her sons Fabio and Francesco carry it on. Piercing, repoussé, chasing and burin engraving — the Florentine school, with the workshop in full view of the shop.