White gold pendant with aquamarine and engraved leaves, overall view

Collection Gioielli Unici·Pendente

Gold pendant with Aquamarine and natural diamonds, engraved leaves

Ten carats and forty-three of aquamarine, inside pierced leaves.

€5.540,00 P416Fab

Drawn and built by hand at the bench, in Tosi.

The leaves are cut from white gold by piercing, engraved with the burin one at a time, and they hold a natural aquamarine of ten carats and forty-three. Three centimeters and two high in all.

The natural brilliant-cut diamonds come to fifteen hundredths of a carat: they sit among the leaves, not at the center. The pendant comes with the certificate attesting its characteristics.

The material

Weights and carats as the workshop declares them.

8,00 gramsWhite gold 18kt 750‰
10,43 carats Aquamarine
0,15 carats Diamonds · among the leaves
Metals
White gold 18kt 750‰
Dimensions
Height 32 mm
Technique
Made by hand. Leaves in white gold with piercing and burin engraving.

The stones

Aquamarine

Central

Carats
ct 10,43
Note
Natural

The diamonds

Natural. Position, cut, carats, colour and clarity.

Among the leaves 0,15ct Brilliant —Natural diamonds

Certificate Certificate of characteristics · gift box

The openwork leaves holding the stone
The natural aquamarine seen from the front
Macro of the burin-engraved veins
The natural diamonds between the leaves
Side view of the pendant
The bail and where the chain attaches
Transparency of the stone against the light
The pendant worn
The back of the pendant and the mount
The volume of the white gold leaves
The pendant on a neutral background, last view

How it is made

The words of the trade, one by one, explained to those who do not know them.

Openwork
The metal is drilled and then cut out from the inside with a very fine saw, until the solid sheet becomes a design of voids. It is a process that allows no second attempt: what is taken away does not come back.
Burin engraving
The burin is a small goldsmith's chisel pushed by hand. It does not scratch: it lifts a shaving of metal and leaves a clean groove that catches the light. It is the mark that for five centuries has set the Florentine goldsmiths' school apart.
Brilliant cut
Fifty-seven facets calculated so that light entering from above comes back out the same side. It is the cut that makes a diamond sparkle, and the reason a badly cut diamond stays dull.

I don't look at what others are doing: I would rather create in my own style. That is what makes our jewelry recognizable.

Fabio Gori — Anna Gioielli, Tosi

Made for you

Every piece leaves the bench made to order: sizes and details are agreed before the work begins.

The goldsmith's workshop is also the place where made-to-measure jewellery is created and family pieces are restored: if you have an idea, or something you want brought back to how it was, that is where it starts.

Ask for a made-to-measure piece
Made by
Anna Gioielli

A goldsmith's workshop in Tosi, on the slopes of the Pratomagno: Anna opened it in 1988, her sons Fabio and Francesco carry it on. Piercing, repoussé, chasing and burin engraving — the Florentine school, with the workshop in full view of the shop.

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