The ring from the front on a light stone: the oval sapphire at the centre between the two brilliants

Collection Gioielli Classici·Anello

White gold ring with oval sapphire between two brilliant-cut diamonds

Ninety-two points of oval sapphire at the center, a brilliant on each side.

€2.030,00 A933bz

Drawn and built by hand at the bench, in Tosi.

An oval sapphire at the center, dark blue, held by four claws with rounded tips. Under the stone the setting is not solid: two arcs of gold close in a V and leave the sides open, so the light comes in from below as well instead of stopping on the table. At the sides, lower and resting on the shoulders of the band, a brilliant on each side, each on its own claws. The band is round and smooth, and thins as it rises towards the setting.

Three grams sixty of eighteen-carat white gold. The sapphire weighs ninety-two points of a carat, the two brilliants together twenty-one: four and a half times the weight, closed in a single stone. It is the reason for the hierarchy you see — the sapphire stands higher and more central, the two diamonds stay low and small, and they do not share the scene: they measure it, and they are there to let the eye read how large the blue is.

The material

Weights and carats as the workshop declares them.

3,60 gramsWhite gold 18kt 750‰
0,92 carats Sapphire · oval
0,21 carats Diamonds · two, one on each side of the sapphire
Metals
White gold 18kt 750‰
Technique
Made by hand: the open basket setting under the sapphire, the claws closed one at a time onto the stone.

The stones

Sapphire

At the center, on four claws

Cut
Oval
Carats
ct 0,92
Note
A single stone

The diamonds

Natural. Position, cut, carats, colour and clarity.

Two, one on each side of the sapphire 0,21ct Brilliant Natural diamonds, total
View from above on a white background: the three stones in a row along the band
Three-quarter view on a white background: the round band tapering as it rises towards the bezel
Close front view: the basket open in a V beneath the sapphire and the two lower diamonds
The ring standing on a white background, the shank seen foreshortened
From the front on slate slabs: the blue of the sapphire against the grey of the stone
Three-quarter view on slate: the rounded prongs closed over the girdle of the sapphire
Foreshortened on the light stone: how high the bezel rises above the band
The ring at a distance on the light stone, the whole outline in frame
The ring worn: the size of the bezel on the hand

How it is made

The words of the trade, one by one, explained to those who do not know them.

Sapphire
Sapphire is corundum, the same mineral species as ruby: all that changes is the impurity locked in the lattice, and in the blue it is iron and titanium together — neither of the two, on its own, makes the color. On hardness it sits at the ninth degree, immediately below diamond, and it does not fear scratching: it is the reason it holds up on a piece worn every day. The color, though, is rarely the one the stone had when it came out of the ground: most sapphires on the market are heated to open up the blue, and it is a stable treatment accepted everywhere. «Natural» says that the stone grew in rock and not in a laboratory furnace; it does not say that nothing was done to it, and the two things should not be confused.
Claw setting
Claws are small gold nails that fold over the stone and hold it with a few millimeters of metal, with no setting behind. They have to be closed cold, one at a time, with the gem already in its seat: a claw closed too tight cuts into the stone, one left too loose loses it, and between the two there is not much margin.
Brilliant cut
Fifty-seven facets calculated so that the light entering from above comes back from the same side. It is the cut that makes a diamond sparkle, and the reason a badly cut diamond stays dull.

I don't look at what others are doing: I would rather create in my own style. That is what makes our jewelry recognizable.

Fabio Gori — Anna Gioielli, Tosi

Made for you

Every ring is made to the size of the person who will wear it: we settle it together before work begins.

The goldsmith's workshop is also the place where made-to-measure jewellery is created and family pieces are restored: if you have an idea, or something you want brought back to how it was, that is where it starts.

Ask for a made-to-measure piece
Made by
Anna Gioielli

A goldsmith's workshop in Tosi, on the slopes of the Pratomagno: Anna opened it in 1988, her sons Fabio and Francesco carry it on. Piercing, repoussé, chasing and burin engraving — the Florentine school, with the workshop in full view of the shop.