Freshwater pearl
At the center, set into the pierced dome
- Note
- Natural white pearl
Collection Marte·Anello
Eight grams sixty of silver hollowed into craters around a freshwater pearl, and six hundredths of a carat in four gold settings.
Drawn and built by hand at the bench, in Tosi.
The pearl sits inside the dome, not on top of it. The silver grows around it hollowed into craters and pierced right through, and closes onto its rim with small points that hold it at the sides: it stays set in almost halfway, white and broad, with a cold sheen that runs from one side to the other as the hand moves. The oxidizing has left the black in the recesses and the light only on the raised work that stands proud, as in all the Marte pieces, and no void looks like the one beside it. Around the pearl four yellow gold settings, the size of pinheads, each hold a brilliant, and they are all the gold in the piece. Underneath, the dome is empty: looking at it from the finger you can see the back of the pearl through the holes. Behind, the shank goes back to being smooth and narrow.
Eight grams sixty of silver make the dome and the band; twenty hundredths of a gram of eighteen carat gold make the four settings, less than a fortieth of the metal, put only where it holds a stone. The four brilliants add up to six hundredths of a carat in all: tiny stones, which mark the four points around the pearl and do not compete with it. The pearl is stated to be natural and freshwater — it comes from a river or lake mollusc, not from the sea — and it remains the softest part of the piece: it sits around the third degree of hardness, it scratches with a fingernail and it fears acids, so it goes on last, after the perfume, and is put away dry.
Weights and carats as the workshop declares them.
At the center, set into the pierced dome
Natural. Position, cut, carats, colour and clarity.
Certificate Certificate of authenticity and guarantee · gift box
The words of the trade, one by one, explained to those who do not know them.
I don't look at what others are doing: I would rather create in my own style. That is what makes our jewelry recognizable.
Fabio Gori — Anna Gioielli, Tosi
Every ring is made to the size of the person who will wear it: we settle it together before work begins.
The goldsmith's workshop is also the place where made-to-measure jewellery is created and family pieces are restored: if you have an idea, or something you want brought back to how it was, that is where it starts.
A goldsmith's workshop in Tosi, on the slopes of the Pratomagno: Anna opened it in 1988, her sons Fabio and Francesco carry it on. Piercing, repoussé, chasing and burin engraving — the Florentine school, with the workshop in full view of the shop.
Due modi di cercare quello che somiglia a questo.