White and yellow gold wedding band with sapphires and floral openwork, Anna Gioielli

Collection Gioielli di Firenze·Anello·Florentine work, floral design

White and yellow gold wedding band with sapphires and floral openwork

A band nine millimeters wide, with the sapphires all around it.

€3.990,00 A188Fz

Drawn and built by hand at the bench, in Tosi.

Two golds and a row of sapphires. The rims are yellow gold, engraved with the burin until they look like two ropes; inside, the band is white gold pierced into leaves, and over the piercing run the oval sapphires, each in its own circle of yellow gold. Satin white below and polished yellow above: it is the contrast that makes the design read from a distance.

Nine grams and five, eighteen-carat gold in the two colors. The sapphires are natural and come to three carats and ninety in all. The band is nine millimeters wide: it is a wedding band, but the kind that is worn on its own.

The material

Weights and carats as the workshop declares them.

9,05 gramsWhite and yellow gold 18kt 750‰
3,90 carats Sapphire · oval
Metals
White and yellow gold 18kt 750‰
Style
Florentine work, floral design
Dimensions
Width of the band 9 mm
Technique
Made entirely by hand, with piercing and burin engraving.

The stones

Sapphire

All around the band

Cut
Oval
Carats
ct 3,90
Note
Natural sapphires, total
Wedding band with sapphires, close-up of the white gold leaf openwork
Wedding band with sapphires, the ovals set in yellow gold
Wedding band with sapphires, the burin-engraved edges
Wedding band with sapphires, side view of the 9 mm band
Wedding band with sapphires, the full circle of stones
Wedding band with sapphires, the openwork against the light
Wedding band with sapphires, the inside of the band
Wedding band in gold and natural sapphires, Florentine work by hand

How it is made

The words of the trade, one by one, explained to those who do not know them.

Openwork
The metal is drilled and then cut out from the inside with a very fine saw, until the solid sheet becomes a design of voids. It is a process that allows no second attempt: what is taken away does not come back.
Burin engraving
The burin is a small goldsmith's chisel pushed by hand. It does not scratch: it lifts a shaving of metal and leaves a clean groove that catches the light. It is the mark that for five centuries has set the Florentine goldsmiths' school apart.
Two golds on the same piece
White and yellow have different hardnesses and soldering temperatures: mounting them together means working two metals that do not react in the same way under the flame, and making them meet without the joint showing.

I don't look at what others are doing: I would rather create in my own style. That is what makes our jewelry recognizable.

Fabio Gori — Anna Gioielli, Tosi

Made for you

Every ring is made in the size of the person who will wear it: we settle it together before the work begins.

The goldsmith's workshop is also the place where made-to-measure jewellery is created and family pieces are restored: if you have an idea, or something you want brought back to how it was, that is where it starts.

Ask for a made-to-measure piece
Made by
Anna Gioielli

A goldsmith's workshop in Tosi, on the slopes of the Pratomagno: Anna opened it in 1988, her sons Fabio and Francesco carry it on. Piercing, repoussé, chasing and burin engraving — the Florentine school, with the workshop in full view of the shop.