Collection Monete Romane·Pendente
Smooth framed silver pendant with reproduced Roman bronze coin, leather cord
Twenty millimeters exactly, frame included, on a plaited leather cord.
Drawn and built by hand at the bench, in Tosi.
The frame is a wide, smooth silver ring, mirror-polished, and the bronze coin sits inside it lower than the rim: the pale metal makes a full circle all around the dark one, and there is no other decoration. On the coin you can read a helmeted head in profile, facing right, and the relief pulls towards copper where the light catches it. Turning the pendant over you see the other face of the coin, held at the back by a few folded silver tabs. The cord is plaited black leather, and a grooved silver bail runs above the pendant.
Seven grams and seventy is the declared weight of the mounted pendant, between the silver at nine hundred and twenty-five thousandths of the frame and the bronze disc. With the frame the pendant measures twenty millimeters exactly across, and the cord comes to forty-eight centimeters. It is the only one in the family worn on leather: the other pendants sit on silk or on rubber. The coin is a reproduction of a Roman coin; the company does not say which, and we do not add it. It arrives in its own gift box.
The material
Weights and carats as the workshop declares them.
- Metals
- Silver 925‰ · bronze (coin)
- Dimensions
- Diameter with the frame 20,00 mm · length of the pendant 48 cm
- Technique
- Made entirely by hand in the company's studio: the frame turned on the lathe and polished, the coin set beneath the line of the rim and held by tabs folded over at the back, the leather cord included.
How it is made
The words of the trade, one by one, explained to those who do not know them.
- Reproduced Roman coin
- The coin is not antique: it is a reproduction of a Roman coin, made in bronze or in silver depending on the piece. What is reproduced is a low relief — a head in profile, a few letters along the rim — and in a low relief a tenth of a millimeter is the whole difference between an outline that reads and a smudge. The blank that comes out is not a flat disc: it is higher at the center than at the edge, and the edge itself is not an exact circle. That is what decides the mount. The frame closes on the rim, where the metal is steadier and where there is no design to cover, and it is tightened cold — a flame passed over the field of the coin would flatten exactly the relief it is being mounted for, and a flattened relief does not rise again.
I don't look at what others are doing: I would rather create in my own style. That is what makes our jewelry recognizable.
Fabio Gori — Anna Gioielli, Tosi
Made for you
Every piece leaves the bench made to order: sizes and details are agreed before the work begins.
The goldsmith's workshop is also the place where made-to-measure jewellery is created and family pieces are restored: if you have an idea, or something you want brought back to how it was, that is where it starts.
A goldsmith's workshop in Tosi, on the slopes of the Pratomagno: Anna opened it in 1988, her sons Fabio and Francesco carry it on. Piercing, repoussé, chasing and burin engraving — the Florentine school, with the workshop in full view of the shop.
Della stessa famiglia
Due modi di cercare quello che somiglia a questo.










