Freshwater pearl
One per earring, resting in the hollow of the drop
- Cut
- Uncut
- Note
- 12,00 × 9,5 mm; the company does not state whether they are cultured or natural, and the carat weight is not stated
Collection Creazioni in Argento·Orecchini
Six centimeters of hollow drop, and the silver behind the pearl is darkened on purpose so the white shows.
Drawn and built by hand at the bench, in Tosi.
The body of the earring is a long, hollow drop. A wide silver ribbon starts at the top, runs down, turns at the bottom and comes back up: on the turn it is hollowed like a spoon, and the hollow is darkened almost to black while the edge that bounds it has been polished to a mirror. Over the same path runs a second, thinner ribbon, drawing a second drop inside the first and leaving a narrow void between the two. Inside the hollow, resting where the turn is widest, sits the white pearl: the black behind it is not an accident, it is what holds its sheen — on a polished ground the pearl would have blurred into the silver. At the top the ribbon narrows and becomes the leverback hook, tapering to a point and passing behind the lobe.
Six centimeters tall counting the hook, and twelve grams fifty of silver at nine hundred and twenty-five thousandths: the company states that weight once only, without saying whether it is for one earring or for the pair, and we do not decide that in their place. The pearl measures twelve millimeters by nine and a half: the company calls it round, but those two numbers say it is slightly flattened, and you can see it in the photographs. Whether it is cultured or natural is written nowhere, and we do not write it in their place. One thing does hold for every pearl: they are calcium carbonate held together by an organic substance, they sit around the third degree of hardness and they dissolve in acids, so they go on after the perfume and come off first. On these earrings there is a second reason to do so: the darkened silver behind the pearl is what makes the piece, and a cloth rubbed too hard in there takes it away.
Weights and carats as the workshop declares them.
One per earring, resting in the hollow of the drop
The words of the trade, one by one, explained to those who do not know them.
I don't look at what others are doing: I would rather create in my own style. That is what makes our jewelry recognizable.
Fabio Gori — Anna Gioielli, Tosi
Every piece leaves the bench made to order: sizes and details are agreed before the work begins.
The goldsmith's workshop is also the place where made-to-measure jewellery is created and family pieces are restored: if you have an idea, or something you want brought back to how it was, that is where it starts.
A goldsmith's workshop in Tosi, on the slopes of the Pratomagno: Anna opened it in 1988, her sons Fabio and Francesco carry it on. Piercing, repoussé, chasing and burin engraving — the Florentine school, with the workshop in full view of the shop.
Due modi di cercare quello che somiglia a questo.