Side view: the two bands with a square profile, the yellow one in front and the white one behind

Collection Gioielli Classici·Anello

White and yellow gold ring with marquise peridot between two bands

A marquise peridot of one carat seventy-eight, suspended between two gold bands that never touch.

€2.440,00 A741perb

Drawn and built by hand at the bench, in Tosi.

Two gold bands run side by side along the finger, one white and one yellow, with flat sides and sharp edges. At the top they separate, and each one ends cut clean; in the gap between the two ends sits the peridot, a green marquise set crossways, held by two yellow gold claws that grip its points. On the white band, just above the stone, a single diamond is set flush with the metal.

Nine grams of eighteen-carat gold, in the two colors. The peridot comes to one carat seventy-eight; the diamond two points, color F and clarity VVS. The white and the yellow are not a finish applied on top: they are two distinct golds, soldered one beside the other, and under the flame they do not behave the same way. The stone does not rest on a solid back: it hangs in the gap between the two bands, held only by the claws at its two points, which are also the part of a marquise that chips.

The material

Weights and carats as the workshop declares them.

9,00 gramsWhite and yellow gold 18kt 750‰
1,78 carats Peridot · marquise
0,02 carats Diamonds · one on the white gold band
Metals
White and yellow gold 18kt 750‰
Technique
Made entirely by hand.

The stones

Peridot

At the top, suspended between the two bands

Cut
Marquise
Carats
ct 1,78
Note
Natural peridot

The diamonds

Natural. Position, cut, carats, colour and clarity.

One on the white gold band 0,02ct Brilliant F-VVSNatural diamond
The ring from the front: the two bands side by side and the peridot suspended at the top
The ring resting on its side, with the peridot held by the yellow gold prongs
The ring next to the pendant from the same set
The pendant in close-up and the ring behind: the same two-tone setting
Close-up of the end of the white gold band, cut clean
Ring and pendant resting on a branch
The ring on the finger: the peridot set crosswise and the diamond on the white band
The ring on the finger, three-quarter view
The ring on the finger, the green of the peridot in grazing light

How it is made

The words of the trade, one by one, explained to those who do not know them.

Two golds on the same piece
White and yellow have different hardnesses and soldering temperatures: mounting them together means working two metals that do not react the same way under the flame, and making them meet without the joint showing.
Marquise cut
An oval drawn out into two opposite points, with the facets running towards the long axis. The two halves have to come out symmetrical, because in a marquise the eye reads the axis at once and a point off center can no longer be corrected. And the points are the place where the stone chips: that is why it is there that the mount has to cover it.
Brilliant cut
Fifty-seven facets calculated so that the light entering from above comes back from the same side. It is the cut that makes a diamond sparkle, and the reason a badly cut diamond stays dull.

I don't look at what others are doing: I would rather create in my own style. That is what makes our jewelry recognizable.

Fabio Gori — Anna Gioielli, Tosi

Made for you

Every ring is made to the size of the person who will wear it: we settle it together before work begins.

The goldsmith's workshop is also the place where made-to-measure jewellery is created and family pieces are restored: if you have an idea, or something you want brought back to how it was, that is where it starts.

Ask for a made-to-measure piece
Made by
Anna Gioielli

A goldsmith's workshop in Tosi, on the slopes of the Pratomagno: Anna opened it in 1988, her sons Fabio and Francesco carry it on. Piercing, repoussé, chasing and burin engraving — the Florentine school, with the workshop in full view of the shop.